www.woman-health.org Homepage Women's Health Gynecology Obstetrics Medline Women's health Guide
default
Search
February 9, 2012
Table of Contents

1 Introduction
Fashion

Wikipedia

 

for|1980s New Wave band|Fashion (band)

The term fashion applies to a characteristic means of expression or presentation; fashions may follow trends, in which they gain or lose popularity.

A fashion is also a design (as in a 'curious fashion') or a method (a 'cruel fashion').

"Fashion" is also a verb meaning to make into a required form.





Fashions are social psychology phenomena common to many fields of human activity and thinking.

Although that concept frequently applies to clothes and other aspects of appearance, it can apply also to:
  • music, art, politics, philosophy

  • and even to mathematics, the choice of programming techniques,

  • and also economic trends, such as those studied in behavioral finance,


Fashion exists in the interstices of aesthetics with innovation, coupled with pleasing details and expenses
true





Image:ADurerNuremburgVenetianWomen.jpg|thumb|right|280px|Albrecht D??rer's drawing contrasts a well-turned out bourgeoisie from Nuremberg (left) with her counterpart from Venice, in 1496-97. The Venetian lady's high chopines make her taller.
The European idea of fashion as a personal statement rather than a cultural expression begins in the 16th century: ten portraits of German or Italian gentlemen may show ten entirely different hats. But the local culture still set the bounds, as Albrecht D??rer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). Fashions among upper-class Europeans began to move in synchronicity in the 18th century; though colors and patterns of textiles changed from year to year, (Thornton), the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat (see Cravat).

The pace of change picked up in the 1780s with the publication of French engravings that showed the latest Paris styles. By 1800, all Western Europeans were dressing alike: local variation became first a sign of provincial culture, and then a badge of the conservative peasant (James Laver; Fernand Braudel).

Fashion in clothes has allowed wearers to express emotion or solidarity with other people for millennia. Modern Western society | Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person's personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start; people who like or respect them may start to wear clothes of a similar style.

Fashions may vary significantly within a society according to age, social class, generation, Profession|occupation and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The term "fashion victim" refers to someone who slavishly follows the current fashions (implementations of fashion)..

One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (Compare some of the work of Roland Barthes.)

  • Thornton, Peter. Baroque and Rococo Silks.






Fashion, by definition, changes constantly. The change may proceed more rapidly than in most other fields of human activity (language, thought, etc). For some, modern fast-paced change in fashion embodies many of the negative aspects of capitalism: it results in waste and encourages people qua consumers to buy things unnecessarily. Others, especially young people, enjoy the diversity that changing fashion can apparently provide, seeing the constant change as a way to satisfy their desire to experience "new" and "interesting" things. Note too though that fashion can change to enforce uniformity, as in the case where so-called Mao suits became the national uniform of Mainland China.

Materially affluent societies can offer a variety of different fashions, in clothes or accessories, to choose from. At the same time there remains an equal or larger range designated (at least currently) 'out of fashion'. (These or similar fashions may cyclically come back 'into fashion' in due course, and remain 'in fashion' again for a while.)

Practically every aspect of appearance that can be changed has been changed at some time. In the past, new discoveries and lesser-known parts of the world could provide an impetus to change fashions based on the exoticism | exotic: Europe in the eighteenth or nineteenth centuries, for example, might favour things Turkish at one time, things Chinese at another, and things Japanese at a third. The global village has reduced the options of exotic novelty in more recent times.

Fashion houses and their associated fashion designers, as well as high-status consumers (including celebrity | celebrities), appear to have some role in determining the rates and directions of fashion change.





Fashion can suggest or signal status in a social group. Groups with high cultural status like to keep 'in fashion' to display their position; people who do not keep 'in fashion' within a so-called "style tribe" can risk shunning (see also peer pressure). Because keeping 'in fashion' often requires considerable amounts of money, fashion can be used to show off wealth (compare conspicuous consumption). Adherence to fashion trends can thus form an index of social affluence and an indicator of social mobility.

Fashion can help attract a partner. As well as showing certain features of a person's personality that appeal to prospective mates, keeping up with fashion can advertise a person's status to such candidates. Perhaps even more importantly, it sends a signal of superiority to potential competitors of the same gender, who are frequently better informed about what's fashionable than the potential mates are. Conversely, a person who exhibits a fashion style that rejects or deliberately tries to offend the current trend may also have an advantage in finding other like-minded individuals.

"Fashion sense" consists of the ability to tell what clothing and/or accessories look good and what doesn't. Since the entire notion of fashion depends on subjectivity, so does the question of who possesses "fashion sense". Some people style themselves as "fashion consultants" and charge clients to help the latter choose what to wear. Designers show the public what is new and in style by using Fashion Modeling | fashion models to display the clothing. Image consultants help people revamp or create fashion sense.

Fashion can operate differently depending on gender, or it can promote homogeneity as in unisex styles.






Ethnically-based fashions:
  • Chinoiserie

  • Orientalism

  • Primitivism


Modern underground fashion:
  • Cyberpunk fashion

  • Punk fashion

  • Gothic fashion

  • Death rock fashion

  • Black metal fashion

  • Industrial fashion

  • BDSM fashion

  • urban fashion


The ultimate world capital of fashion is Paris, which is home to the premier fashion houses of the world including Chanel, Yves Saint Laurent, Givenchy and Louis Vuitton.





  • Art movement

  • Art styles, periods and movements

  • Cyberprep fashion

  • Fad

  • Fashion footwear

  • Fashion police

  • Fashion design

  • Fashion Modeling

  • Haute couture

  • i-wear

  • Marketing

  • Planned obsolescence (business)

  • Safari jacket

  • Shoe

  • Ski jacket

  • Steven Cojocaru

  • Streetwear

  • Trench coat

  • Young fashion: showing the G-string|thongs.

  • 1990s fashion


Further reading
  • http://fax.libs.uga.edu/GT850xC4/ THE HISTORY OF FASHION IN FRANCE, by M. Augustin Challamel, (1882 Eng. Trans.) (a searchable facsimile at the University of Georgia Libraries; DjVu & http://fax.libs.uga.edu/GT850xC4/1f/history_of_fashion_in_france.pdf layered PDF format)

  • http://fax.libs.uga.edu/GT513xL32/ LACY'S DRAMATIC COSTUMES, collected & edited by Thomas Hailes Lacy, 1865 & 1868. (a searchable facsimile at the University of Georgia Libraries; DjVu & http://fax.libs.uga.edu/GT513xL32/1f/ layered PDF format)

  • The chapter on Fashion in <cite> Georg Simmel, on Individuality & Social Forms, Selected Writings</cite>, Georg Simmel, edited by Donald N. Levine, University of Chicago Press, 1971, hardcover, 393 pages, ISBN 0226757757


Films about fashion
  • Mode in France (1984), Directed by William Klein

  • Pr??t-??-Porter (film)|Pr??t-??-Porter (1994), Directed by Robert Altman

  • Catwalk (film)|Catwalk (1996), Directed by Robert Leacock

  • Zoolander (2001), Directed by Ben Stiller

  • Cities and Clothes (1989), Directed by Wim Wenders


Category:Human appearance
Category:Social psychology
Category:Fashion

da:Mode
de:Mode
es:Moda
fr:Mode (habillement)
nl:Mode
ja:ファッション
pl:Moda
sk:M??da
sl:Moda

External links
  • http://www.locatemodels.com/ Fashion Models Gallery

  • http://dolce-gabbana.info/ Italian Fashion - Dolce Gabbana

  • http://dept.kent.edu/museum/costume/ Bissonnette on Costume - A Visual Dictionary of Fashion from Kent State University browsable by geography, time, and subject

  • http://www.theceleblife.com/ The Celeb Life - covers celebrity fashions and how to mimic them, on the cheap.



This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Fashion".


Last Modified:   2005-12-15


Search
All informatin on the site is © www.woman-health.org 2002-2011. Last revised: January 2, 2011
Are you interested in our site or/and want to use our information? please read how to contact us and our copyrights.
To let us provide you with high quality information, you can help us by making a more or less donation: