Women's Health Women

Miriam Gideon Wikipedia

Miriam Gideon (23 October 1906 - 1996) was a composer.

She studied organ (music)|organ with her uncle Henry Gideon and piano with Felix Fox. She also studied with Martin Bernstein, Marion Bauer, Charles Haubiel, and Jacques Pillois. She studied harmony, counterpoint, and musical composition|composition with Lazare Saminsky and at his suggestion also composition with Roger Sessions after which she abandoned tonality and wrote in a freely atonal or extended post-tonal style. (Hisama 2001, p.6-7)

Born in Greeley, Colorado|Greeley, Colorado, she moved to New York City where she taught at Brooklyn College, City University of New York (CUNY) from 1944 to 1954 and City College, CUNY from 1947 to 1955. She then taught at the Jewish Theological Seminary of America at the invitation of Hugo Weisgall in 1955, and at the Manhattan School of Music from 1967 to 1991. She was rehired by City College in 1971 as full professor and retired in 1976. (ibid)

In 1949 she married Frederic Ewen. Both political leftists, they become victims of McCarthyism, Ewen resigning from Brooklyn College to avoid naming names, Gideon being fired from the same and resigning from City College to also avoid naming leftist colleges. (ibid)

Gideon composed much vocal music, setting texts by Francis Thompson, Christian Morgenstern, Anne Bradstreet, Norman Rosten, Serafin Quintero|Serafin and Joaqu??n Quintero and others. (ibid)

She was the second woman inducted into American Academy and Institute of Arts and Letters in 1975, Louise Talma being the first in 1974. (ibid)

Compositions include Lyric Piece for Strings (1942), Mixco (1957), Adon Olom, Fortunato, Sabbath Morning Service, Friday Evening Service, and Of Shadows Numberless (1966).

Last Modified:   2005-12-19